acf domain was triggered too early. This is usually an indicator for some code in the plugin or theme running too early. Translations should be loaded at the init action or later. Please see Debugging in WordPress for more information. (This message was added in version 6.7.0.) in /homepages/39/d618908071/htdocs/CopiaMitteBarcelona/mitte-barcelona.com/wp-includes/functions.php on line 6131js_composer domain was triggered too early. This is usually an indicator for some code in the plugin or theme running too early. Translations should be loaded at the init action or later. Please see Debugging in WordPress for more information. (This message was added in version 6.7.0.) in /homepages/39/d618908071/htdocs/CopiaMitteBarcelona/mitte-barcelona.com/wp-includes/functions.php on line 6131Las comparaciones son odiosas… pero aqui son necesarias e involuntarias.
\nTwo Sides Project tiene como objetivo estudiar la simetr\u00eda de los rostros a trav\u00e9s de las proporciones de los rasgos faciales.
\nEs una teor\u00eda que utiliza la simetr\u00eda como un herramienta para medir la belleza.
\nSomos mas bellos si somos sim\u00e9tricos? o simplemente somos perfectos?
\nPercibimos la belleza a trav\u00e9s de la perfecci\u00f3n de los rostros y la alineaci\u00f3n entre ambos lados de la cara.
\nSi ambos lados son sim\u00e9tricos, aunque la persona no sea \u00a8bella\u00a8 la percibimos perfecta.
\nSi utilizamos la imaginaci\u00f3n y agudizamos la vista, podremos unir ambos lados y ver a la persona original.
\nA juzgar por el espectador.<\/p>\n
Bio<\/p>\n
Pablo Danelutto (Chaco, Argentina – 1970)
\nGraduado en Comunicaci\u00f3n Visual y Dise\u00f1o Gr\u00e1fico.
\nMaster en Packaging Design por la Asociaci\u00f3n ORT de Buenos Aires.
\nFormado art\u00edsticamente en Buenos Aires, desembarc\u00f3 en Barcelona en el a\u00f1o 2000, continuando con su carrera profesional en agencias de dise\u00f1o, hasta hoy en d\u00eda.<\/p>\n
Desde una edad temprana ha dado sus primeros pasos en la fotograf\u00eda experimentando con las cl\u00e1sicas c\u00e1maras Kiev, Rollei o Pentax que se encontraban en las casas de sus abuelos y sus t\u00edos. Siempre usando pel\u00edcula en blanco y negro.<\/p>\n
Ya de adolescente en los a\u00f1os 80, abandon\u00f3 la afici\u00f3n hasta que un buen d\u00eda en la universidad de dise\u00f1o llegaron a sus manos unos ejemplares de revistas como Colors de Benetton o Interview. Fanzines de p\u00e1ginas grandes en donde la fotograf\u00eda en blanco y negro cobraba una importancia suprema. Esos retratos a gran formato y fotograf\u00edas de moda le indujeron a retomar la afici\u00f3n pero ya con la visi\u00f3n de un dise\u00f1ador\u00a8<\/p>\n
Le siente b\u00e1sicamente retratista. Sus preferencias son el retrato, el desnudo y las situaciones urbanas.
\nLe gustan las fotograf\u00edas simples y que comuniquen mucho con la mirada.
\nSus influencias provienen casi exclusivamente de los fot\u00f3grafos cl\u00e1sicos. Algunos de sus preferidos Henri Cartier-Bresson, Robert Doisneau, Richard Avedon y Helmut Newton.
\nActualmente su fuente de inspiraci\u00f3n son fot\u00f3grafos con un marcado trabajo en series homog\u00e9neas como Sebastiao Salgado, Vadim Stein, Thorsten Jankowski, Andreas Bitesnich, Lee Jeffries, Tatsuo Suzuki, Ruslan Lobanov, Martin Schoeller, Pieter Hugo, Marc Hoppe, Peter Coulson.<\/p>\n
—<\/p>\n
Comparisons are odious\u2026but here, they are necessary and involuntary.
\nThe goal of Two Sides Project is to study the symmetry of the faces through the proportions of facial features.
\nIt is a theory which utilizes symmetry as a tool to measure beauty.
\nAre we more beautiful if we are symmetrical? Or simply perfect?
\nWe perceive beauty through the perfection of the faces and the alignment of the face on both sides. If both sides are symmetrical, even if the person is not \u201cbeautiful\u201d, we perceive it as perfect.
\nUsing our imagination and sharpening our sight, we can make both sides of the face meet and see the original person.
\nTo be judged by the beholder.<\/p>\n
Bio<\/p>\n
Pablo Danelutto (Chaco, Argentina – 1970)
\nGraduated with a Degree in Visual Communications and Graphic Design
\nMasters Degree in Packaging Design (ORT Association, BuenosAires)
\nArtistically formed in Buenos Aires, Pablo moved to Barcelona, Spain in 2000, continuing with his professional career in design agencies, up to date.<\/p>\n
Ever since he was a child, he took his first steps in photography experimenting with the classic cameras (Kiev, Rollei or Pentax) which were at his grandparents and at his uncle\u00b4s home.
\nHe always used black and white film.
\nAs a teenager in the 1980\u00b4s, he gave up the hobby until one day at the University of Design he came across some issues of Colors of Benetton and Interview.
\nFanzines in big pages where black and white photography had a paramount importance. These big format portraits and fashion photography induced him to restart my hobby, only now with the point of view of a designer.<\/p>\n
He feels himself mainly as a portraitist. His preferences are portrait, nude and urban situations.
\nHe likes simple photos which can communicate much with a simple view.
\nHis influences come almost exclusively from the classic photographers. Among his favorites are Henri Cartier-Bresson,
\nRobert Doisneau, Richard Avedon y Helmut Newton.
\nCurrently, his source of inspiration are photographers with a pronounced work in homogenous series, such as Sebastiao Salgado, Vadim Stein, Thorsten Jankowski, Andreas Bitesnich, Lee Jeffries, Tatsuo Suzuki, Ruslan Lobanov, Martin Schoeller, Pieter Hugo, Marc Hoppe, Peter Coulson.<\/p>\n","protected":false},"excerpt":{"rendered":"
Las comparaciones son odiosas… pero aqui son necesarias e involuntarias. Two Sides Project tiene como objetivo estudiar la simetr\u00eda de los rostros a trav\u00e9s de las proporciones de los rasgos faciales. Es una teor\u00eda que utiliza la simetr\u00eda como un herramienta para medir la belleza. Somos mas bellos si somos sim\u00e9tricos? o simplemente somos perfectos?…<\/p>\n","protected":false},"author":1,"featured_media":4345,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"portfolio_category":[23],"portfolio_tag":[],"class_list":["post-4121","portfolio","type-portfolio","status-publish","has-post-thumbnail","hentry","portfolio_category-photographer"],"acf":[],"_links":{"self":[{"href":"http:\/\/mitte-barcelona.com\/index.php?rest_route=\/wp\/v2\/portfolio\/4121","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/mitte-barcelona.com\/index.php?rest_route=\/wp\/v2\/portfolio"}],"about":[{"href":"http:\/\/mitte-barcelona.com\/index.php?rest_route=\/wp\/v2\/types\/portfolio"}],"author":[{"embeddable":true,"href":"http:\/\/mitte-barcelona.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/mitte-barcelona.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4121"}],"version-history":[{"count":2,"href":"http:\/\/mitte-barcelona.com\/index.php?rest_route=\/wp\/v2\/portfolio\/4121\/revisions"}],"predecessor-version":[{"id":4346,"href":"http:\/\/mitte-barcelona.com\/index.php?rest_route=\/wp\/v2\/portfolio\/4121\/revisions\/4346"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/mitte-barcelona.com\/index.php?rest_route=\/wp\/v2\/media\/4345"}],"wp:attachment":[{"href":"http:\/\/mitte-barcelona.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4121"}],"wp:term":[{"taxonomy":"portfolio_category","embeddable":true,"href":"http:\/\/mitte-barcelona.com\/index.php?rest_route=%2Fwp%2Fv2%2Fportfolio_category&post=4121"},{"taxonomy":"portfolio_tag","embeddable":true,"href":"http:\/\/mitte-barcelona.com\/index.php?rest_route=%2Fwp%2Fv2%2Fportfolio_tag&post=4121"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}