Un accidente afortunado
\n.. o como la belleza tradicional experimenta un cambio por pura casualidad, una destrucci\u00f3n casi absoluta. Los fragmentos que quedan no rompen la imagen, sino que le dan una textura fluida, adquiriendo unas caracter\u00edsticas espec\u00edficas en virtud del agente destructor. Im\u00e1genes rom\u00e1nticas, decadentes o industriales; colores quemados, l\u00edquidos burbujeantes o aceitosos. Una ciudad gris y funcional hundida en una piscina psicod\u00e9lica; arquitectura moderna en plena descomposici\u00f3n. \u00c9stas son sus ciudades.<\/p>\n

Bio <\/p>\n

Zita Vehil Riera, Barcelona, 1978
\nEn el 2001 se diploma en dise\u00f1o gr\u00e1fico por la escuela BAU de Barcelona, habiendo cursado dos a\u00f1os de Artes y Humanidades en la UAB entre 1996 y 1998. Aunque trabaja en el campo de la publicidad como freelance, su objetivo siempre ha sido dedicarse al arte y concretamente, a la fotograf\u00eda.<\/p>\n

En el 2005 descubri\u00f3 la Lomograf\u00eda, una disciplina dentro de la fotograf\u00eda (o fuera, depende de como se mire), de car\u00e1cter m\u00e1s flexible, l\u00fadico y popular, que pod\u00eda ser una experiencia enriquecedora.<\/p>\n

Desde su introducci\u00f3n a la cultura lomo, ha participado en exposiciones colectivas o individuales promocionadas por Lomography o por otras entidades, como BCN Photobloggers. Ha ganado concursos como el \u00abDianalogues n\u00ba1, Through a Woman’s lens\u00bb, del que se edit\u00f3 un libro con el mismo nombre, y con el que pudo exponer en Par\u00eds.<\/p>\n

Ahora mismo est\u00e1 en medio de un proyecto llamado \u00abexperiences\u00bb. Utilizando t\u00e9cnicas manuales, como el tratamiento de negativos con diversos elementos corrosivos, practica una especie de qu\u00edmica sencilla e imprevisible. El resultado final es una gran distorsi\u00f3n de la imagen, una deformaci\u00f3n de los cuerpos f\u00edsicos. <\/p>\n

—<\/p>\n

.. or as traditional beauty undergoes a change by chance, an almost absolute destruction. The fragments are not breaking the image, but they give a smooth texture, acquiring specific characteristics under destructive agent to them. Romantic, decadent or industrial images; burned or bubbling liquid oily colors. A grey and functional sunken city in a psychedelic pool; modern architecture in decay.
\nThese are my cities.<\/p>\n

Bio <\/p>\n

Zita Vehil Riera, Barcelona, 1978
\nIn 2001 she graduated from graphic design in BAU in Barcelona, having completed two years of Arts and Humanities at UAB between 1996 and 1998. Despite working in the advertising field as a freelancer, her goal has always been to pursue art and specifically, photography. <\/p>\n

In 2005 she discovered Lomography, more flexible, playful and popular discipline in photography (or out of it, depending on how you look at ) character, which could be an enriching experience. <\/p>\n

Since her introduction to the lomo culture, she has participated in group and solo exhibitions promoted by Lomography or other entities such as BCN Photobloggers. She has won competitions such as the \u00abNo.1 Dianalogues, Through a Woman’s lens\u00bb, a book of the same name was released, and with which she could exhibit in Paris. <\/p>\n

Right now she’s in the middle of a project called \u00abexperiences\u00bb. Using manual techniques, such as treatment with various negative corrosive elements, practices a kind of simple and unpredictable chemistry.The final result is a large image distortion, distortion of physical bodies.<\/p>\n","protected":false},"excerpt":{"rendered":"

Un accidente afortunado .. o como la belleza tradicional experimenta un cambio por pura casualidad, una destrucci\u00f3n casi absoluta. Los fragmentos que quedan no rompen la imagen, sino que le dan una textura fluida, adquiriendo unas caracter\u00edsticas espec\u00edficas en virtud del agente destructor. Im\u00e1genes rom\u00e1nticas, decadentes o industriales; colores quemados, l\u00edquidos burbujeantes o aceitosos. Una…<\/p>\n","protected":false},"author":1,"featured_media":4111,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"portfolio_category":[23],"portfolio_tag":[],"class_list":["post-4110","portfolio","type-portfolio","status-publish","has-post-thumbnail","hentry","portfolio_category-photographer"],"acf":[],"_links":{"self":[{"href":"http:\/\/mitte-barcelona.com\/index.php?rest_route=\/wp\/v2\/portfolio\/4110","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/mitte-barcelona.com\/index.php?rest_route=\/wp\/v2\/portfolio"}],"about":[{"href":"http:\/\/mitte-barcelona.com\/index.php?rest_route=\/wp\/v2\/types\/portfolio"}],"author":[{"embeddable":true,"href":"http:\/\/mitte-barcelona.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/mitte-barcelona.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4110"}],"version-history":[{"count":1,"href":"http:\/\/mitte-barcelona.com\/index.php?rest_route=\/wp\/v2\/portfolio\/4110\/revisions"}],"predecessor-version":[{"id":4112,"href":"http:\/\/mitte-barcelona.com\/index.php?rest_route=\/wp\/v2\/portfolio\/4110\/revisions\/4112"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/mitte-barcelona.com\/index.php?rest_route=\/wp\/v2\/media\/4111"}],"wp:attachment":[{"href":"http:\/\/mitte-barcelona.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4110"}],"wp:term":[{"taxonomy":"portfolio_category","embeddable":true,"href":"http:\/\/mitte-barcelona.com\/index.php?rest_route=%2Fwp%2Fv2%2Fportfolio_category&post=4110"},{"taxonomy":"portfolio_tag","embeddable":true,"href":"http:\/\/mitte-barcelona.com\/index.php?rest_route=%2Fwp%2Fv2%2Fportfolio_tag&post=4110"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}