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{"id":3843,"date":"2015-11-11T12:26:53","date_gmt":"2015-11-11T12:26:53","guid":{"rendered":"http:\/\/mitte-barcelona.com\/new\/?post_type=portfolio&p=3843"},"modified":"2015-11-12T16:16:50","modified_gmt":"2015-11-12T16:16:50","slug":"bianca-yespica","status":"publish","type":"portfolio","link":"http:\/\/mitte-barcelona.com\/?portfolio=bianca-yespica","title":{"rendered":"BIANCA YESPICA"},"content":{"rendered":"

El proyecto es la representaci\u00f3n gr\u00e1fica de un plano urbano que revela de cada ciudad su escala, orden, ritmo, forma, perspectiva y composici\u00f3n. Logrando una fachada de colores que se imprime sobre historia, construcci\u00f3n, arquitectura y cultura. <\/p>\n

Bio<\/p>\n

Arquitecta por la Universidad de Venezuela desde el a\u00f1o 2009, ilustradora por la BAU desde 2012 y freelance a partir de ese mismo a\u00f1o. A Bianca Y\u00e9spica no le gusta escribir sobre si misma, lo considera un ejercicio vano. As\u00ed que cada vez que agarra un l\u00e1piz acaba dibujando y componiendo ideas que mucho tienen que ver con su arquitectura y su intenso mundo interior. En su p\u00e1gina web [www.bianca-yespica.tumblr.com] se presenta de perfil en un collage donde un edificio se imprime sobre su rostro; un edificio que por supuesto se rige al orden que ella misma establece. Se estren\u00f3 en Barcelona con una ilustraci\u00f3n de Miles Davis, una impresionante lecci\u00f3n de destreza que mucho tiene que ver con su pasi\u00f3n por la m\u00fasica y su excelente uso del papel en blanco, pues en las composiciones de Bianca Y\u00e9spica el blanco tiene profundidad y trazos. Es coautora del fanzine \u201cLa cabra est\u00e1 muerta\u201d y autora\/editora, bajo el pseud\u00f3nimo de \u00c1tomo, del cuento infantil \u201dLa bomba m\u00e1gica\u201d. Sus \u00faltimos trabajos de colaboraci\u00f3n han sido expuestos en el Festival Gutterfest, Galer\u00eda Mutuo, Espacio Nauart y Transforma BNA. Actualmente, Bianca Y\u00e9spica est\u00e1 explorando un nuevo formato: la ilustraci\u00f3n en grandes dimensiones, cambiando el papel por paredes y muros de piedra y cemento.<\/p>\n

—<\/p>\n

The project is a graphical representation of a street plan of each city reveals its scale, order, rhythm, form, perspective and composition. Achieving a fa\u00e7ade color that is printed on the history, construction, architecture and culture. <\/p>\n

Bio <\/p>\n

Architect University of Venezuela since 2009, the BAU illustrator and freelance since 2012 from the same year. A Bianca Yespica dislikes writing about herself, considers it a futile exercise. So every time you grab a pencil drawing and composing just ideas that have much to do with its architecture and its intense inner world. On their website [www.bianca-yespica.tumblr.com] profile is presented in a collage where a building is printed on his face; a building which of course governs the order herein provided. It premiered in Barcelona with an illustration of Miles Davis, a stunning lesson skill that has much to do with his passion for music and his excellent use of paper, as in the compositions of Bianca Yespica white has depth and strokes. She is coauthor of the fanzine \u00abThe goat is dead\u00bb and author \/ editor, under the pseudonym Atom, the fairy tale \u00abThe Magic bomb.\u00bb His recent collaborative works have been exhibited in Gutterfest Festival Mutual Gallery, Space and Transforms Nauart BNA. Currently, Bianca Yespica is exploring a new format: the large illustration, changing the paper walls and walls of stone and cement.<\/p>\n","protected":false},"excerpt":{"rendered":"

El proyecto es la representaci\u00f3n gr\u00e1fica de un plano urbano que revela de cada ciudad su escala, orden, ritmo, forma, perspectiva y composici\u00f3n. Logrando una fachada de colores que se imprime sobre historia, construcci\u00f3n, arquitectura y cultura. Bio Arquitecta por la Universidad de Venezuela desde el a\u00f1o 2009, ilustradora por la BAU desde 2012 y…<\/p>\n","protected":false},"author":1,"featured_media":3845,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"portfolio_category":[32],"portfolio_tag":[],"class_list":["post-3843","portfolio","type-portfolio","status-publish","has-post-thumbnail","hentry","portfolio_category-artist"],"acf":[],"_links":{"self":[{"href":"http:\/\/mitte-barcelona.com\/index.php?rest_route=\/wp\/v2\/portfolio\/3843","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/mitte-barcelona.com\/index.php?rest_route=\/wp\/v2\/portfolio"}],"about":[{"href":"http:\/\/mitte-barcelona.com\/index.php?rest_route=\/wp\/v2\/types\/portfolio"}],"author":[{"embeddable":true,"href":"http:\/\/mitte-barcelona.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/mitte-barcelona.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3843"}],"version-history":[{"count":3,"href":"http:\/\/mitte-barcelona.com\/index.php?rest_route=\/wp\/v2\/portfolio\/3843\/revisions"}],"predecessor-version":[{"id":3903,"href":"http:\/\/mitte-barcelona.com\/index.php?rest_route=\/wp\/v2\/portfolio\/3843\/revisions\/3903"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/mitte-barcelona.com\/index.php?rest_route=\/wp\/v2\/media\/3845"}],"wp:attachment":[{"href":"http:\/\/mitte-barcelona.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3843"}],"wp:term":[{"taxonomy":"portfolio_category","embeddable":true,"href":"http:\/\/mitte-barcelona.com\/index.php?rest_route=%2Fwp%2Fv2%2Fportfolio_category&post=3843"},{"taxonomy":"portfolio_tag","embeddable":true,"href":"http:\/\/mitte-barcelona.com\/index.php?rest_route=%2Fwp%2Fv2%2Fportfolio_tag&post=3843"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}